Melanie Rae Thon
Here is another short story, from The Scribner Anthology of Contemporary Short Fiction – Fifty North American Stories Since 1970.
Sid Elliott is a Viet Nam War vet, back home with a humiliating shrapnel injury and additional damage much deeper than his wound. Now he’s a hospital orderly, recently transferred from the Emergency Room to the morgue, a lateral transfer, he’s told, but he knows it’s because he jumped in to help an ER patient, to prevent her from banging her head on the wall. Sid had overstepped.
Newly sober, Sid meets Roxanne, a sickly-thin, scarred and aimless alcoholic and drug addict. His large size is in direct contrast to Roxanne, yet he feels lost in her smallness. This story is about Sid trying to cope with all things. His father is dead. He visits his mother, but their relationship is flat. What he has with Roxanne is more of a desperate grasping, often ugly, sometimes tender.
Sid thinks about the doctors in the ER, how they treat the bodies, but not the souls. And if they can’t save the bodies, they harvest what they can. The doctors discuss this, laughing, removed from their patients and, Sid thinks, they don’t allow these people their dignity.
When Sid is told to transfer Gloria Luby, a grossly immense dead woman, to the examining table, he thinks this is his chance to show respect, to treat her as the person she was only hours earlier. The doctor is grimly flippant with his orders: “Shove her up there on the slab any way you can.” He adds, “You’ll have to roll this one. She won’t mind.”
The transfer results in disaster and a physical and personal crisis for Sid. His foolish attempt leaves him both hurt and haunted by ugliness of the war and his personal relationships at home.
I tend to prefer more upbeat stories, but this one got to me. It’s not a pretty story, but Sid’s character is so well-defined, that I still view him as a hero, despite his failure. And I’m left with the feeling of wanting to help him.
Melanie Rae Thon is an American writer of fiction, both short stories and novels. She is a professor of English at the University of Utah. Here is her biography as it appears on the University of Utah faculty website (http://faculty.utah.edu/u0223226-MELANIE_RAE_THON/biography/index.hml).
Biography: Melanie Rae Thon’s most recent books are the novel The Voice of the River and In This Light: New and Selected Stories. She is also the author of the novels Sweet Hearts, Meteors in August, and Iona Moon, and the story collections First, Body and Girls in the Grass. Thon’s work has been included in Best American Short Stories (1995, 1996), three Pushcart Prize Anthologies (2003, 2006, 2008), and O. Henry Prize Stories (2006). She is a recipient of a Whiting Writer’s Award (1997), two fellowships from the National Endowment for the Arts (1992 and 2008), a Writer’s Residency from the Lannan Foundation (2005), and a fellowship from the Tanner Humanities Center (2009). Thon’s fiction has been translated into French, Italian, German, Spanish, Croatian, Finnish, Japanese, Arabic, and Farsi. Originally from Montana, Thon now lives in Salt Lake City, where she teaches in the Creative Writing and Environmental Humanities programs at the University of Utah.
You can find more information about Thon at these websites:
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